This photo-selection documents the process of setting up the installion for the premiere of MULTIPLE voice/vision – BACH at AMUZ 1 october 2011.
It took 3 (very) long days, plus on the fourth day – saturday oct 1 – final finetuning and a general rehearsal with the musicians before the concerts in the evening.
Somebody was so nice and ‘brave’ to upload this 36-layer video to YouTube:
I made this single-screen video In 1995 as a by-product from a multiscreen concert/performance with the Hilliard Ensemble at the Basiliek of Koekelberg.
It was the first full digital production made at the VRT, at that time named BRTN, and it was broadcast in the programme about arts & culture ‘Vuurvogel’.
Through the use of anamorphosis, and especially through the multiple use of anamorphosis, I challenge the traditional audience-screen configuration. On top of that, the sheer size of the installation – 10.40 meters in diameter – demands for activity of the observer. Instead of a viewer immobilized in an Albertian tradition of static one-point perspective representation, the observer becomes an active participant, whose full sensorium of vision, hearing, feeling, walking … is called upon.
In this dynamic act of exploring the multiple images and sounds on offer in the audiovisual installation, the peripathetic observer becomes an active participant in the articulation of the projected – or (re-)presented – objects, and constructs his own perspective on the music performed.
I'm a lecturer and researcher at the MAD-faculty, C-mine Genk, Belgium. This blog documents my PhD research, where I explore the possibilies of the multiple in audiovisual media. My practice based arts research shows an evolution towards installation-based works.